Christmas Part 1

Thus far my holiday haul related to music and/or audio is as follows:

1. The 33 1/3 book about The Who-"The Who Sell Out" album. I've skimmed it and it looks like it will be a good read. Although I have a lot of Who albums I don't know a lot about the personal dynamics within the band. For those not familiar with the 33 1/3 series they are short, pocket sized books about ground breaking albums. I've already read the ones that cover Pink Floyd's "Piper at the Gates of Dawn" and The Beatles' "Let It Be" which are both excellent. The one about Led Zeppelin IV isn't as good since the author was unable to coax interviews out of the participants.

2. A book titled "The Dark Side of The Moon-The Making of The Pink Floyd Masterpiece" which I've already read 75% of and while most of the information isn't new to me that isn't the authors fault because I've read a ton of stuff about Pink Floyd.

3. The Ryan Adams & The Cardinals album "Cold Roses" which I haven't had a chance to listen to yet but he's pretty reliable when it comes to putting out good to great albums.

4. Eddie Vedder's CD single "All The Way" which is a song about being a Chicago Cubs fan.

5. A David Glimour promo CD with the song "Wot's. . .Uh The Deal?" from his performance at the Gdansk shipyard. It couldn't fit on the album so it was given to those who purchased the two CD version at independent music retailers. Since I bought the 5 disc version (3 CD's 2 DVD's) from Best Buy I initially missed out on it, but I'm glad to be adding it to my collection now.

Rough Mix

The ability of music to instantly and powerfully remind us of a very specific time in our life is one of its most magical qualities. For me “Rough Mix” will always be inextricably linked to a drive between Indianapolis and Lexington Kentucky with my friend and former boss Duke. There’s nothing like a road trip with good tunes to get to know someone. He brought the album along as an evaluation tool when we were visiting the manufacturing facility of Thiel Audio. When we got back into town he lent it to me. I enjoyed it, returned it then promptly forgot all about it. Until a saw it again 8 years later, I just had to buy it.

The story began when Ronnie Lane of “The Faces” approached his friend Pete Townshend of “The Who” for a loan. Townshend declined but offers to work with Ronnie on an album instead. Initially Ronnie thought that he would produce a solo album for him but Pete had little interest in sitting behind the console. Mr. Townshend offered to do a joint album (stop your snickering DAMN IT!) and recommends Glyn Johns to produce.

Rough Mix is anything but! There are lots of layers, a virtual tapestry with everything perfectly in it’s place. For the most part it’s an intimate album with hushed, almost confessional vocals. It’s an album of quieter moments. Choosing to whisper the truth instead of scream nonsense. This is all the more surprising when one considers the number of guest musicians. None of whom try to call attention to themselves, instead they chose to contribute tastefully. Special guests include Charlie Watts of “The Rolling Stones”, Eric Clapton, John Entwistle of “The Who”, Ian Stewart sort of from “The Rolling Stones (see foot note*)”, and future Who member John “Rabbit” Bundrick.

The Pete Townshend contributions are universally strong. “My Baby Gives It Away” is mid-tempo rocker. “Misunderstood” can be said without a trace of irony to have the perfect amount of cowbell. It also contains other nice percussion touches. The harmonica also adds a nice counter point to his vocals, and what’s not to love about the chorus (“coolwalkingsmoothtalkingstraightsmokingfirestoking.”) “Street in the City” is a nice little song about the goings on during the day on an average street with a nice little string arrangement. “Heart to Hang on to” has some nice moments of vocal interplay between the pair and a nice brass interlude. “Till The Rivers All Run Dry” is just beautiful and is a great example of a cover so perfectly chosen and performed that the artist really makes it their own.

I find the Ronnie Lane contributions less moving. The sole songwriting collaboration between Lane and Townshend is an instrumental called “Rough Mix” where Eric Clapton singularly fails to do anything interesting and John “Rabbit” Bundrick upstages everyone with his performance on the organ. “Annie” has a nice sad Irish drinking ballad feel to it, which is added to by the accordion and violin. For whatever reason his song “Catmelody” sounds like an outtake from “The Rocky Horror Picture Show” intended for Meat Loaf, the sax solo really seals it too. I would add “in a bad way” to the previous sentence but I feel that it goes without saying since we‘re talking about Meat Loaf. “April Fool” really benefits from Clapton’s Dobro playing, which is a nice touch. The bonus tracks, while not essential are nice to have too. All three of the outtakes have a loose audio-vérité feel that adds to their charm.

The sound of acoustic guitars are not just strings, but the body behinds the strings and the pick against those strings. The album also has quick accurate bass, and extended shimmering cymbals. While the dynamics are not overly compressed, if they were a little more open this album would go from great for a Rock recording to exceptional for a Rock recording. The newest version of the disc is a Dual Disc that in addition to it‘s DVD-Audio layer (The DVD-A is 24/48 for surround and 24/96 for stereo. In addition it has Dolby Digital stereo and surround for backwards compatibility.) also features a short documentary. The default on the DVD-A side is multi-channel, unforgivable from the two-channel audiophile without a monitor perspective.

*He was kicked out for not being cool enough though he continued to record with them and play with them live. Maybe Mick didn’t want to split the money six ways. Sorry but I simply never pass up a chance to take a shot at Mick Jagger, even a cheap unfounded one.

Show must go on

There is an old saying in the entertainment industry, “The show must go on.” The clip below might be seen as the ultimate example of this philosophy. At a November 20, 1973 concert at the Cow Palace in San Francisco The Who’s drummer, the irrepressible Keith Moon passed out after taking a handful of horse tranquilizers (Ya, you read that right I typed “handful of horse tranquilizers.”) The amazing thing is that Pete Townshend and Company decided to continue the show using a drummer from the audience named Scott Halpin.



How many fans ever get to jam with their idols? If I were him I’d tell everyone I ever met. Something along the line of, “Hi I’m Scott, I once sat in for Keith Moon and played with The Who.” According to an interview he did with Rolling Stone, “I didn't have time to think about it and get nervous. I only played three numbers and I was dead", there energy was staggering.” After the show he got to party with the band. Luck Bastard!

Ten Favorite albums

Originally written: Wednesday, March 16, 2005

In no particular order here goes:

1. Dire Straits-Brothers in Arms Very atmospheric and melancholy. Meticulously arranged and recorded. It's ironic that this album has only one upbeat song and that is probably the most famous cut, "Walk of Life." It is also the least representative of the rest of the album.

2. The Who-Who's Next For my money the ultimate hard rock album, containing the ultimate hard rock song "Won't Get Fooled Again." Great songs and great performances. It's hard to believe that this album was really the cobbled together bits and pieces of a failed masterpiece.

3. The Beatles-Abby Road On this album they were hitting on all cylinders and couldn't make a mistake if they had tried. Great songs, cool vocal harmonies, and they take risks with song structure that no one else had nor has anyone else since. This may be the only time that a band did their best album as their last. Let it Be was released later but it was recorded first.

4. Robert Johnson-The Complete Recordings I discovered Robert Johnson because he was mentioned so many times by Jimmy Page and Robert Plant. He only recorded about three sessions over the course of two years in the late 1930's but the impact that this music has had can't be under estimated. Led Zeppelin, The Rolling Stones and Eric Clapton of Cream all admire this guy and have covered his songs.

5. Led Zeppelin-Physical graffiti Possibly their most diverse album. I love Led Zeppelin so much it was really hard to choose just one but this album will give you an idea of what they were all about. Also unlike most double albums there is no filler songs and no repeated musical ideas.

6. Pink Floyd-The Wall What can I say about this masterpiece that hasn't already been said? Many will tell you that Dark Side of the Moon is a better album and musically and sonically it probably is. Where this album really comes into it's own is the sheer scale of the story it tries to tell. It is a concept album with a plot and numerous subplots. Briefly it is about: the death of a parent, the oppression of the modern education system, an over protective mother, the fear of nuclear war, the isolation that fame causes, the excesses of stardom, and ultimately madness.

7. The Beach Boys-Pet Sounds An album about the kind of romantic first love that only comes once in a life time and it's inevitable end. No one every comes close to touching these guys when it come to their ability to harmonize with each other. This is almost more of a Brian Wilson solo album with the rest of the band along for the ride. Brian also throws every instrument he could get his hands on into the mix and it all works.

8.Sheryl Crow-Tuesday Night Music Club Probably the strongest first album by any artist ever. All of the songs are smartly written and the arrangements are near flawless. The other musicians that worked with her on this album really contributed whole heartedly. I love everything that Sheryl has ever released but she has yet to top her first album.

9. Theloneous Monk-Straight, No Chaser Believe it or not I had a pet rabbit named Hope that used to love this album. Whenever I would play it she would fly into the room and run around kicking her feet up in the air for about the first five minutes and then settle in at my feet to listen to the rest. She also loved Pink Floyd's Meddle and had the same reaction. Most other music she ignored as noise.

10. Chuck Berry-The Great 28 Elvis may have been the King of Rock and Roll but Chucks was it's father. The amazing thing about this music is that unlike most 1950's Rock it sounds as fresh today as it did when it was first released. It is feel good music that forces you to tap you toe.