. . .to boldly go . . .

This photo is all over the internet and I have one major question. Does the Wow and Flutter make every singer sound like William Shatner? Sadly, for many Star Trek fans this isn't available but I'm sure that some Enterprising (sorry I couldn't resist) fan will make one in his parent's basement. Hopefully, Paramount won't sue him when he does.

Simon Yorke

Below is a brief interview with Simon Yorke, designer and manufacturer of some of the worlds most highly regarded turntables. While I don't agree that digitally reproduced music is incapable of moving the soul I do share his concern that music is being treated more like a commodity than art.

http://www.youtube.com/watch?v=yQrXvYZv1zQ&feature=player_embedded

The vinyl renaissance

Anybody who hasn't been living under a rock is well aware that vinyl is going through a renaissance . The major stumbling block to joining the fun is that many people have no idea how to properly set up a turntable. The abysmal documentation included with nearly all turntables isn't making the situation any better. Most manufacturers assume that whoever is assembling their turntable has previous experience, and thus takes a certain level of knowledge for granted.

Planet of Sound, a Canadian Hi-Fi store has made a short video explaining how to set up Project's extremely affordable Debut III.



When purchasing a new turntable a good dealer should offer to set it up for a nominal cost, if not for free. Watching how it's done and asking a few questions is never a bad idea.

. . . and so it begins

My recently acquired turntable is home. The turntable pictured above is not mine, but another Thorens TD124 II with an SME 3009 tonearm. I have cleaned the ‘table up a bit. Right now the motor isn't running but there is some vibrations, hopefully it just needs cleaned and lubed. The tonearm is in a fairly dilapidated state. Having it restored may prove a long and costly endeavor. Parts availability for the turntable shouldn't be a problem, but finding someone with the expertise might prove difficult. The tonearm is the opposite story. Someone with the expertise is readily available within my circle of connections, but parts may be a problem. I'm hoping for the restoration project to come in under $500, I've set a ceiling of $700.

The Thorens TD124 has a number of features that make it unique. In additon to offering the common speeds of 33 1/3 and 45 RPM speeds. It also offers is the fairly obscure 78 RPM speed, then something that almost no turntable offers 16 RPM speed. The last speed was used for sales training discs, as well as radio show transcription discs. These adjustments are made using the switch at the bottom left of the unit. On top of the switch is a knob that can be used to fine tune the speed for those with perfect pitch. A built in strobe disc (located under the window in the front middle of the table) assists when tweaking the speed.

Leveling this or any other turntable is of the up most importance for best performance. To assist the user in this task the Thorens offers a built in bubble level (located bottom right) and three threaded posts (one can be seen under the level).

There are two other small, but thoughtful touches on this classic. The first it the lever located on the left of the platter which allow the platter to be raised so the motor does not need to be turned off to switch records. This was done to reduce wear on the motor. The second small detail is the built in 45 RPM adapter built into the center of the platter. When not in use it is flat with the rest of the platter. When needed a simple clockwise twist raises it, when it’s no longer needed a counter clockwise twist lowers it again. No chance of losing this baby!

Why buy the cow when you can get the milk for free!

This is a Thorens Reference turntable, which went into production in 1979. The Reference tipped the scales at roughly 180 lbs. It's hard to believe that they were building turntables like this nearly 30 years ago!

Recently I came into a vintage turntable and tonearm that will need some restoration. Not the Thorens Reference pictured above, but something really special none the less. So the search for free resources on the internet has begun. The Analog Dept. and Vnyl Engine both have lots of free owners manuals and other information on turntables and tonearms from years gone by. Most of the restoration work will be done by other because of the delicacy of the tasks and the knowledge necessary. I will try to document the process with photos as it progresses.

You can't do this with a CD

Before you read the rest of the post the link is required viewing. Click on the picture.

My only question is can you mount a Benz Micro Glider cartridge on this thing? I shutter to think what this thing could do to the delicate groves of a record. Is it an automatic can opener too? You can't do this with a CD. For anyone who wants a toy like this that will help them trash they're LPs there is a company in Japan that sells them called Razyworks.

The Art of Science

Since the initial blush of enthusiasm after the arrival of my Project 1.2 turntable I’ve been strangely silent about the subject. That mostly has to do with the fact that while I have been enjoying it, it’s been a bit of a love/hate relationship. Allow me to elaborate. When listening to CDs the volume on my preamp is usually set to about 9 O’clock. On records this had to be substantially increased. I’m well aware that the output of a phono stage isn’t going to be as powerful as that of the average CD player or DAC but this was out of the range of normality. At 4 O’clock on the preamp’s volume control I still wasn’t getting a similar output, and the sibilance on vocals was distracting to say the least. At lower volumes, the sibilance wasn’t present so I began to think that the volume setting was just too high on my preamp.

The first attempt at solving the problem was to try setting the Project Phono Box to the moving coil setting to get more gain even though my cartridge, a Grado Gold is a moving magnet (Grado actually refers to it as a moving iron.) That did increase the gain to an acceptable level but it also wreaked havoc on the frequency response. High frequencies became MIA while the bass became over whelming. This lead to the thought that maybe a phono preamp with more gain was necessary (us audiophile can turn anything into an excuse to upgrade.)

So I brought home a Project Phono Box SE. It was slightly better sounding but gain was still an issue. Again switching over to the MC settings was tried with the same result. Then while looking at the DIP switch an idea emerged. I notice that on the Phono Box SE switches 5 and 6 were in the UP position on both MC settings and DOWN for the MM setting. This lead me to think that the switches might have to do with gain. All of the other switches were left in the MM positions except for 5 and 6 which were moved to the up position. To see the diagrams in question please consult http://www.sumikoaudio.net/project/manuals/phonoboxse.pdf for a diagram. Again this provided acceptable gain but the frequency response was off, not by as much as it was with the Phono Box trying the same trick or the MC settings for the Phono Box.

Original Phono Box MM positions:

Original Phono Box MC positions:

New Phono Box MM position:

This arrangement gave me the gain and frequency response that I wanted.

The new bundle of joy

Originally Written: Tuesday, June 06, 2006

Baby's home! Today at work the UPS man delivered a 17 LBS. bouncing pro-ject turntable, I named it the 1.2. I was expecting today to go slowly because I wanted to play with my new toy so badly (keep your minds out of the gutter please). But there was lots to do (including cleaning records on the store's VPI record cleaning machine to listen to at home) so it went by fairly quickly.

So I get home and unpack the 'table and it is only then that I remember that my brother said that he was going to keep the Grado Gold cartridge. No biggie I figured I've got a Grado Gold on my other 'table, that table really sucks. Ain't I spoiled rotten? This presented a few problems. To start with I had only brought home the tools to set up a 'table, not mount a cartridge. Mounting a cartridge is a little like performing minor surgery. But I'm always game for an adventure, so I figured what the fuck go for it. So I unmounted the Grado off of the other 'table without noting which wires went where assuming that it would be marked on the cartridge itself. Bad assumption, STRIKE ONE, well no big deal I'll just find the original instructions. Couldn't find them, STRIKE TWO. Well, I'll just log onto Grado's web page and download them, Strike Three. Wait a minute, the catcher dropped the ball and I'm running to first. After much searching I found a close up picture on the internet that showed the proper wiring scheme. SAFE! Back in business baby!

Thus far I've listened to three records and I'm on the fourth:

1. Pink Floyd-"The Piper At The Gates of Dawn" Mono, as it should be.
   
2. Steve Miller-"Fly Like An Eagle" This guy fucking rocks! My new co-worker gave me this record because he had an extra copy. He also was generous enough to give me a copy of Beach Boys-"Endless Summer."
   
3. Led Zeppelin-"IV" 'nough said. This record and "In Through Out Door" were given to me by my good friend Clint who found them at a garage sale. The copy of "In Through Out Door" is in better shape, it even has the original brown paper bag. That's probably because it wasn't played as much because it's their worst album. But with a band like LZ their worst album is better than most bands best album.
4. Ray Charles-"Greatest Hits" my parents gave me this one and for once their lack of musical taste pays off, it looks like it was rarely if ever played! It's in great shape.
   

Right now I'm using a pro-ject phono box to pump up the volume and an Audioquest Sorbothane record mat instead of the stock felt mat to reduce vibration. I'll reserve judgment on sound quality until all the votes are in and counted but, it's promising. There's still tweaking to be done, but when isn't there?